Kenny
Barron
How
to listen to Kenny Barron?
Kenny Barron first shines as a sideman. As an expressive
piano player, Barron never disappoints the leaders,
but lends a great supporting voice and balance to the
already brilliant arrangements. To showcase Barron as
a sideman, the essential recordings are: Tiger Okoshi's
"Color of Soil," Chet Baker's "You
Can't Go Home Again," Ron Carter's "Patrao"
& "So What," Ernie Watts' "The
Long Road Home" and Jane Monheit's "Come
Dream with Me."
More
than as a sideman, Kenny Barron emerges as a co-leader
in numerous recordings, most notably duos. Many of these
recordings hit home Barron's distinctive voice as a
thinker, musician and artist. His reserved, non-showy
piano playing adds a lush sound to his musicality, making
his brand of jazz elegant and classy. His lyrical style
is well-matched by a few auteurs in jazz. Of foremost
importance we count "Night & The City"
with Charlie Haden (bass), "People Time"
with a dying but flying Stan Getz (sax), "Together"
with Tommy Flanagan (a wonderful two piano duo).
Of honorable mentions we have "Two as One"
with Buster Williams (bass) and the track "I
Should Care" with Rufus Reid from album
"Other Places."
Finally,
as a band leader, Kenny Barron demonstrates equal skill
and panache, though in my opinion, less impressive.
"Spirit Song" is his most recent release,
and has Barron's most mature leadership style to date.
On the line, there are "Things Unseen," "Other
Places," and "Sphere," a Thelonious Monk
tribute band with an all-star cast: Barron, Gary
Bartz (sax), Buster Williams (bass) and Ben Riley
(drums). Then again, Barron's marvelous playing should
be heard and appreciated in this method of listening.
By
and large, Kenny Barron is the best and most important
jazz piano figure (and icon) in the past 20 years, and
will continue to be in the next decade. There is no
doubt about it.
Click
on images for detailed CD info and exclusive audio samples.
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Biography
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Interviews
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Essential
Recordings
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Links
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